In collaboration with global energy giant Aramco, we were tasked with creating a large-scale interactive LED wall experience for Silverstone Museum, exploring the incoming 2026 F1 Racing Regulations. The goal was to make something that was genuinely informative but also visually exciting - the kind of thing you stop and stare at.
STUDIO
Ay-Pe
YEAR
2025
ROLE
3D Animator
CREDITS
Produced and Designed by Ay-Pe
Creative Direction: Richard Playford
This was one of the most involved projects I've worked on, spanning pretty much every part of the production process from initial storyboarding all the way through to final delivery.
The Rose Window Room was my main focus - a technically complex projection - mapped onto a rose window that was also back-lit with LED, requiring animations to work cohesively across both the window and the walls either side. The room explored the interconnected Highlands landscape through animated particle animals and flowing environmental sequences.
The Forest Room was a fully immersive magical Highlands landscape, with Highland creatures moving through the scene via layered particle effects. The End Show - a 360 large-scale showstopper - involved animating animals and developing VFX sequences at a scale that pushed the work in a new direction.
Photogrammetry work for the project involved travelling across the Highlands, scanning objects in museums on location, which were then projected onto a physical bookcase within the space.
In collaboration with global energy giant Aramco, we were tasked with creating a large-scale interactive LED wall experience for Silverstone Museum, exploring the incoming 2026 F1 Racing Regulations. The goal was to make something that was genuinely informative but also visually exciting - the kind of thing you stop and stare at.
STUDIO
Ay-Pe
YEAR
2025
ROLE
3D Animator
CREDITS
Produced and Designed by Ay-Pe
Creative Direction: Richard Playford
This was one of the most involved projects I've worked on, spanning pretty much every part of the production process from initial storyboarding all the way through to final delivery.
The Rose Window Room was my main focus - a technically complex projection - mapped onto a rose window that was also back-lit with LED, requiring animations to work cohesively across both the window and the walls either side. The room explored the interconnected Highlands landscape through animated particle animals and flowing environmental sequences.
The Forest Room was a fully immersive magical Highlands landscape, with Highland creatures moving through the scene via layered particle effects. The End Show - a 360 large-scale showstopper - involved animating animals and developing VFX sequences at a scale that pushed the work in a new direction.
Photogrammetry work for the project involved travelling across the Highlands, scanning objects in museums on location, which were then projected onto a physical bookcase within the space.
In collaboration with global energy giant Aramco, we were tasked with creating a large-scale interactive LED wall experience for Silverstone Museum, exploring the incoming 2026 F1 Racing Regulations. The goal was to make something that was genuinely informative but also visually exciting - the kind of thing you stop and stare at.
STUDIO
Ay-Pe
YEAR
2025
ROLE
3D Animator
CREDITS
Produced and Designed by Ay-Pe
Creative Direction: Richard Playford
This was one of the most involved projects I've worked on, spanning pretty much every part of the production process from initial storyboarding all the way through to final delivery.
The Rose Window Room was my main focus - a technically complex projection - mapped onto a rose window that was also back-lit with LED, requiring animations to work cohesively across both the window and the walls either side. The room explored the interconnected Highlands landscape through animated particle animals and flowing environmental sequences.
The Forest Room was a fully immersive magical Highlands landscape, with Highland creatures moving through the scene via layered particle effects. The End Show - a 360 large-scale showstopper - involved animating animals and developing VFX sequences at a scale that pushed the work in a new direction.
Photogrammetry work for the project involved travelling across the Highlands, scanning objects in museums on location, which were then projected onto a physical bookcase within the space.